Have you found a mouthpiece that sounds good, that articulates well, that has good intonation and that feels good, allowing you to play various styles of music effectively? Vandoren Clarinet Ensemble Festival. What does a Diving Board and a Mouthpiece have in common?
Single Reed Instruments: Questions and Answers. Joseph Lulloff and his Classic Setup. Mastering the Master Class. Play Juno.
Martin Frost and the Vandoren V21 Reeds. Vandoren V21 Clarinet Reeds. INTERIOR: The relationship of all of the following elements make up the total volume of the interior of the mouthpiece and affect pitch and color of sound. Clarinet 1a: Baffle-Directs airstream to chamber.
Can be easily altered to change darkness of sound. Side walls-Shape either parallel or angled. Defines the sides of the throat. Throat-Focuses airstream into bore. Bore-Transfers energy and air from mouthpiece to instrument. Length affects pitch. FACING: The components of the facing affect the way a reed responds on the mouthpiece and the feel for the individual player. Clarinet 2: Table- Either concave or perfectly flat.
Holds butt of reed steadily. Window- Where air stream goes into mouthpiece. Side rails- Should be shaped to match your preferred brand of reed and should be even and relatively thin for good response. Clarinet mouthpieces can be made of different materials. A student clarinet will often use a mouthpiece that is made of plastic and therefore is durable and affordable.
Musical Instrument Hire use Yamaha , Buffet and Jupiter student clarinets which all have plastic mouthpieces appropriate to the instruments. The grade up from plastic would be ebonite which is hard rubber. Ebonite is used for mouthpieces for classical and jazz musicians who do not necessarily need a great deal of volume or projection.
Some jazz players, or players who are doing outdoor performances will use a crystal mouthpiece. These have good projection and a bright sound that will carry. Crystal is very delicate, and these will come with a soft mouthpiece pouch to protect them when not in use. Wood mouthpieces are also available but not very common.
They are also proven to be less stable than ebonite or plastic mouthpieces. If you are purchasing a new mouthpiece it is important that the mouthpiece has a ligature.
You cannot have a mouthpiece without a ligature. The flattened part of the mouthpiece is called the table, and this is where the reed is clamped to the mouthpiece by the ligature. Most tables are flat, but a few models have a slight curve to accommodate the reed swelling as it gets moist.
Your mouthpiece also needs a mouthpiece cap. This is purely to protect the mouthpiece. Ideally, you should remove the reed from the mouthpiece when the clarinet is not in use and then the mouthpiece cap goes over the mouthpiece and ligature and keeps it safe in the case. Equally, if the clarinet is being left out, the mouthpiece cap is important to stop the clarinet mouthpiece from becoming damaged when not being held.
The mouthpiece cap can also protect the reed if it is being left on the clarinet but not being played. If the mouthpiece is chipped it is no longer of any use.
It needs to be protected and kept intact at all times. The tip of the mouthpiece is surprisingly important as it affects the ease and quality of the tone production. Tips can be closed or open. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies.
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